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owen gleiberman

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Entertainment_Culture 26
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‘Scary Movie’ Review: The Sixth ‘Scary Movie’ Has a Few Choice Gags, but Mostly It’s So Meta It’s Meh

2026-06-04 — variety.com


‘Earth, Wind & Fire (To Be Celestial vs That’s the Weight of the World)’ Review: The Tribeca Festival Kicks Off with Questlove’s Indelible Portrait of the Great but Underrated EWF

2026-06-03 — variety.com


The Myth of Marilyn: Why We’re Still Obsessed With the Goddess of Sex

2026-06-01 — variety.com


Marilyn Monroe’s 5 Greatest Roles

2026-06-01 — variety.com


The Shocking Success of ‘Backrooms’ and ‘Obsession’ Should Be a Memo to Hollywood: You Need What’s Outside the Box

2026-05-30 — variety.com


‘Atonement’ Review: Boyd Holbrook and Hiam Abbass in a Different Kind of War Movie — an Affecting Drama of Survivor Anguish and Combat Guilt

2026-05-29 — variety.com


‘Power Ballad’ Review: Paul Rudd and Nick Jonas Rule in John Carney’s Most Winning Pop-Music Drama Since ‘Once’

2026-05-28 — variety.com


‘Backrooms’ Review: Experimental Horror Comes Out of the Margins in Kane Parsons’ YouTube-Gone-A24 Head Trip

2026-05-27 — variety.com


‘I Love Boosters’ Review: Keke Palmer Takes Charge in Boots Riley’s Playfully Out-There Riff on Shoplifting, Sisterhood and Fashion Madness

2026-05-21 — variety.com


‘The Man I Love’ Review: Rami Malek Has His Best Role Since ‘Bohemian Rhapody’ in Ira Sachs’s Delicate and Touching ’80s Character Study

2026-05-20 — variety.com

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